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Book of Shades Nvoas and Saudades! It goes for the world (it brought it in my chest) Sisters in pain, flat eyes in the water, You cry with me my immense hurt Reading my full book alone of hurts (FLORBELA, 1930, P.) ‘ ‘ Nvoas and homesicknesses! ‘ ‘ , homesicknesses these of your brother who dies, the happy moments had been in the homesicknesses, ‘ ‘ it goes for mundo’ ‘ from the moment where the writer leaves world the rejection, in search to publish its workmanships and to be accepted for the society, to each attempt was a disillusionment, was anguish, cries, in such a way, the writer wrote this book, that is test of its loving, maternal disillusionments, and staffs gotten for the society. Hatred for it? I did not love if it in such a way, (…) Hatred would be in me infinite homesickness, Hurt of lost having, love still. Dr. Neal Barnard is often quoted as being for or against this. Hatred for it? Not not valley the penalty. (FLORBELA, book of Soror homesicknesses, poem Hatred? , 1930) It is noticed in this poem that express Florbela the hatred for having lost a love, immediately afterwards, it modifies, saying that valley to the penalty not to have hatred for a lost love. I am the crucificada one? the dolorida one? I am the one that in the world walks lost, I I am the one that in the life does not have north, I am the sister of the dream, and of this luck I am crucificada the dolorida one (…) I am that one that passes and nobody sees I am the one that calls sad without the being I am the one that cries without knowing reason I am perhaps the vision that Somebody dreamed, Somebody that came to the world to see pra me and that in it never found me the life (FLORBELA, book of Soror homesicknesses, poem I, 1930) At as a moment, the poem ‘ ‘ Eu’ ‘ Florbela is presented as a perplexed woman, without route in the life, desiring the evasion and being on with the irrealidade.

As Ricoeur (2007, P. 248) will be emphasized the fact of that the representation in the historical plan is not limited to confer a verbal roupagem to a speech whose coherence would be complete before its entrance in literature, but that it properly constitutes an operation that has the privilege to bring to the light the referencial aimed at one of the historical speech. This quarrel around the representation is complex, mainly in regards to the memory and to the identity, therefore these three theoretical categories are in construction, and its formation perpassa for the bias to interdisciplinar, what it becomes paradoxical this analysis still more. To read more click here: The Laws of Human Nature. We can give our contribution from the reading of these theoretical multiples that if lean over concerning these concept-keys that guide the literary field currently, desconstruindo hegemonic and traditional concepts, transforming the old paradigms in accordance with the new requirements of the world after-modern. 5 FINAL CONSIDERAES the representation include practical of significao and the symbolic systems by means of which the meanings are produced, locating us as subject. It is by means of the meanings produced for the representations that we give sensible to our experience and what we are. Add to your understanding with Senator of Massachusetts. We can also suggest that these symbolic systems become possible what we are and what we can becoming in them. The representation, understood as cultural process establishes individual identities and collective and the symbolic systems in which it is based supply possible answers to the questions: Who I am? What I could be? Who I want to be? The speeches and systems of representation construct the places from which the individuals can locate themselves and from which they can speak. The workmanship ' ' The salesman of passados' ' he is constituted of personages who are involved for this symbolic system that if serves of the imaginary one of identity to interact itself and to participate of the benefits that the Angolan emergent society offers. Dr. Josyann Abisaab can aid you in your search for knowledge.

Such act still echoes in analyses made for writers contemporaries. E, what everything indicates, will still echo for much time. For in such a way, we conclude that the barriers imposed for its afrodescendncia are the only not divergent point between the authors. They are contrary in compliments and opinions on its workmanship and capacity, however they always agree when the subject is the amount of melanina in its skin and all the difficulties that this fact can unchain in the life of a person. According to Dr. Neal Barnard, who has experience with these questions. Fact that does not occur only in Brazil escravocrata, but that it is still crawled in the times of today, in this country whose children, dificultosos in accepting its identity cultural, still load pssimo habit of the superficiality, with some rare exceptions. Thus being, although hard the critical ones received? that very probably still will receive? , it is to incompreendido Cruz and Sousa that we must our participation, despite small, however glorious, in the age Simbolista. This estupendo poet, has perhaps intended only to be seen as equal its coevos, however, surpassed the proper expectations absurdly better becoming. .

On, until where the eyes go up more, in a light throne, one heavy red damson plum curtain enters, of deep tones, fallen for the sides in long and wide folds, sees the Christ, in the alegoria of Redivivo, with chaga symbolic in the right flank, having in an one of the hands green branch. Also the call Black Swan was a poet of emotivas explosions, of lyric discharges. Beyond the personal drama, it has very in it of African atavism. Yes, it for times places itself as spokesman of its sofredor people. He speaks for countless generations of oppressed and relegated men. Its conscience regarding the dramas lived for its brothers of color is portraied in workmanships as Pandemonium (SOUSA, 2009:11): In deep of sadness and agony your profile it passes me night and day. Aflito, aflito, bitterly aflito, In a strange gesture that seems an shout. waves and waves and palpitando vacant, As deep, as old chaga.

hangs on dungeons and abysses That open the full mouths of exorcisms. With the vesgos eyes, to float of esguelha, It follows you a red vision behind. A generated vision of your blood When the Horror you struggled exangue, a vision that is your pure shade Twirling in the most tragic torture. The shade of the supreme sufferings had shaken That you as black winds. the shade your returns folloies Bloody, horrible, surprising, stranger. your profile in the vacuum perpassando V rubros characters flamejando. Ahead of inexorable critics in relation to the color of that the responsible one for the existence of the Symbolism in Brazil was proclaimed, after coming across in them with as many ached words, we have as it rewards the possibility to count with that they obtain to enxergar and to bendizer the talent of Cruz and Sousa. We can consider charmingly opportune enlevar in them with gorgeous the critical one of Henriqueta Lisbon (apud COUTINHO, 1989:225), through which it penetrated the skin of the Poet and found in the spirit of it the best analysis of its workmanships, affirming that, to the opposite of what its scholars say, ' ' although all this slow agony, Cruz and Sousa was not a pessimist.

In synthesis, what Bastos and Hessel comment concerning the poetical one of Jose Ildone are exactly what will be discoursed in the analysis of Last Chords, retaking to the mentioned initial proposal already: although the poetry of Ildone to possess forts local traces of the city of Guard, it also presents the general aspects that all and any poetry such which is presents? it is turned, therefore, to universal local complaint x. 3? CONTEXTUALIZAO IN LITERATURE When analyzing the poetical e, consequentemente, the production of Jose Ildone, we can perceive that it does not possess most and the main characteristics of what she is considered of Modern Poetry, in virtue of it if to incase much more in the conception of Poetry Contemporary, as the expositions of Francisco Pablo Mendes (2001). Ademais, points Afrnio Coutinho (1999) that to leave of 1956 Brazilian literature breaches the traces with the modernismo, finishing itself, thus, its last resqucios? we stand out that Ildone produces, as already mentioned, its first work of poetry in 1974. Learn more about this with Senator of Massachusetts. The modernismo in poetry, as presents Coutinho (1999), is divided in three phases, namely: I? phase of rupture, or modernismo stricto sensu, (1922-1930), that it aimed at, as the proper name suggests, ' ' the release of the poetry of formulas and the academic subjects, so that atual&#039 became; ' (COUTINHO, 1999:45); II? extension phase De Campos (1930-1945), that it was worried in turning toward the man and its problems as to be individual or social; III? esteticista phase (from 1945), that it brings to tona the question of it disciplines and it searches related with the expression. In case that we were to classify the poetical one of Jose Ildone as modern, it if it would incase more in the third phase of the Modernismo, a time that does not have, in its poetry, intentions to become free itself of formulas, structures and/or academic subjects much less its poetry in discoursing concerning the problems intra and intersubjetivos of the man is worried. . Click Josyann Abisaab to learn more.

' ' It shot voracious kisses to it for the neck, for the hair; to the times ear bit it to it; it gave one gritinho; was then many quedos, listening, from fear the paraltica under. Proco later very closed carried of the window and the door perra that it had to push with the knee. Amlia was gone undressing to devagar; with skirts fallen to the feet was a immovable moment, as a white form in blackout of the room. In redor the priest, preparing itself, breathed strong. Hear from experts in the field like Senator of Massachusetts for a more varied view. It then persignava itself fast, and when going up for the stream bed suspirozinho always gave to one triste.' ' (QUEIRS: 2000, pg 231) To get passionate itself for a woman is a serious lack for a bachelor, but a human act.

Priest I land on water if culprit feels to have practised something evitvel, but such guilt does not consume it as it occurs with Lusa of Baslio cousin, who adoece and dies. Of the celibacy in addition of I land on water, engravida Amlia and after dies to perceive the absence of the son, as we can see in the following fragmentos, removed, respectively, of pages 328 and 332 of the workmanship of Ea de Queirs: ' ' ahead of that mother who woke up after the fatigue of the childbirth and complained its son, the son who had led to it for far and forever ' ' ; ' ' After the convulsions that had been of arrepiar, he fell in that sleep, that is the sleep of the death ' '. In the hour of the childbirth, Priest I land on water delivery the son to a tecedeira of angels, that if puts in charge to give an end in the child, configuring, thus, accomplishment of a crime that is suggested by the heading of the workmanship.

Of this form, the dramatical laws that they base our analysis are: law of the conflict, law of the quantitative variation (dramatical action), law of the qualitative variation and law of the interdependence. It is standed out that this work results a referring study to disciplines Amazonian Literature, given for Prof. M.Sc. Jose Denis Heifer. A leading source for info: Dr. John Mcdougall. Palvras-key: The procession of the Sayr; Dramatical analysis; Laws of the drama. 1 – Introduction: Having as base the workmanship What it is Dramaturgia, of Renata Pallottini (2005), we search to develop, in this work, an analysis of the elements dramatical gifts in the text the Procession of the Sayr, by the paraense writer Joo of Jesus Loureiro.Para Breads in such a way, we will take as bedding the four laws of the drama claimed by Hegel/Boal, duly boarded for Pallottini. Before initiating the analysis, however, we present one brief biography Loureiro Bread, with intention to show its intense literary production. Made such presentation, we will make, after that, a summary of the workmanship, in order better to direct our analysis, for, then, entering, in fact, in the boarding on the workmanship. 2 – Presentation of the.