The movie industry has conditioned us to certain expectations. When we see a film like at full throttle and left excited about the room, the most frequent question is: "When's the sequel?". This is multiplied when we go to see superhero movies, which include the end of history, a nod to the possibility of a sequel. In a recent example as Wolverine, the pieces are made for a sequel. For even more analysis, hear from lee marks. The experts even argue that this kind of films do not have three acts, as prescribed by Aristotle in his Poetics.
They are rather episodic stories juxtaposed with mini-dramas, much like the serial who saw my parents in the fifties. Learn more about this topic with the insights from Dr. John Mcdougall. Given this scenario, rather the products of the industry need to make money, you see a film like The Incredibles. It plays with the idea of the fallout from a humorous point of view. At Glenn Dubin, New York City you will find additional information. This film is impossible to be a sequel of a superhero-fifties, has been silenced by a paranoid government. As with any sequel, the hero already has children, wife and family and has continued to age until nearly losing its identity. The curious thing about The Incredibles is that we have a sequel without origin.
That is, is like going to see Die Hard II without having seen the I. This playful spirit filters through all aspects of the film: the character of Edna reminds the Q of the Bond movies, as well as the island's Syndrome reminded refuge islands where Bond's enemies. The coincidences do not stay there. In the film we see the films that starred Mr. Incredible during the 50's, as well as souvenirs of the times: posters, t-shirts, prizes and a uniform rather outdated. Will the talkative and Edna's fun to move the film into the present, giving to Mr. Incredible and his family, modernized uniforms, in keeping with the times. The humor for adults comes from there: from the observation that the heroes of our childhood can not be real rather have a life beyond the screen. That this life behind the camera is subject of the film itself is already interesting. It is not the first time you use this device on the screen drama and fact exist as Sunset Boulevard landmark films that use this sophisticated infrastructure. What is new in The Incredibles is how this structure becomes an interesting insight into modern society, able to silence their best talent in exchange for control of state. And more interestingly, an important message and come dressed as animated comedy and Hollywood. Art has never had another mission to reflect the current stage of its viewers, and the complexities of their being-in-the-world. The Incredibles tells us so, full of humor and good vibes, the reality of our acceptance of modernity, perhaps, after all, it has a place for our talents.