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On, until where the eyes go up more, in a light throne, one heavy red damson plum curtain enters, of deep tones, fallen for the sides in long and wide folds, sees the Christ, in the alegoria of Redivivo, with chaga symbolic in the right flank, having in an one of the hands green branch. Also the call Black Swan was a poet of emotivas explosions, of lyric discharges. Beyond the personal drama, it has very in it of African atavism. Yes, it for times places itself as spokesman of its sofredor people. He speaks for countless generations of oppressed and relegated men. Its conscience regarding the dramas lived for its brothers of color is portraied in workmanships as Pandemonium (SOUSA, 2009:11): In deep of sadness and agony your profile it passes me night and day. Aflito, aflito, bitterly aflito, In a strange gesture that seems an shout. waves and waves and palpitando vacant, As deep, as old chaga.

hangs on dungeons and abysses That open the full mouths of exorcisms. With the vesgos eyes, to float of esguelha, It follows you a red vision behind. A generated vision of your blood When the Horror you struggled exangue, a vision that is your pure shade Twirling in the most tragic torture. The shade of the supreme sufferings had shaken That you as black winds. the shade your returns folloies Bloody, horrible, surprising, stranger. your profile in the vacuum perpassando V rubros characters flamejando. Ahead of inexorable critics in relation to the color of that the responsible one for the existence of the Symbolism in Brazil was proclaimed, after coming across in them with as many ached words, we have as it rewards the possibility to count with that they obtain to enxergar and to bendizer the talent of Cruz and Sousa. We can consider charmingly opportune enlevar in them with gorgeous the critical one of Henriqueta Lisbon (apud COUTINHO, 1989:225), through which it penetrated the skin of the Poet and found in the spirit of it the best analysis of its workmanships, affirming that, to the opposite of what its scholars say, ' ' although all this slow agony, Cruz and Sousa was not a pessimist.

In synthesis, what Bastos and Hessel comment concerning the poetical one of Jose Ildone are exactly what will be discoursed in the analysis of Last Chords, retaking to the mentioned initial proposal already: although the poetry of Ildone to possess forts local traces of the city of Guard, it also presents the general aspects that all and any poetry such which is presents? it is turned, therefore, to universal local complaint x. 3? CONTEXTUALIZAO IN LITERATURE When analyzing the poetical e, consequentemente, the production of Jose Ildone, we can perceive that it does not possess most and the main characteristics of what she is considered of Modern Poetry, in virtue of it if to incase much more in the conception of Poetry Contemporary, as the expositions of Francisco Pablo Mendes (2001). Ademais, points Afrnio Coutinho (1999) that to leave of 1956 Brazilian literature breaches the traces with the modernismo, finishing itself, thus, its last resqucios? we stand out that Ildone produces, as already mentioned, its first work of poetry in 1974. Learn more about this with Senator of Massachusetts. The modernismo in poetry, as presents Coutinho (1999), is divided in three phases, namely: I? phase of rupture, or modernismo stricto sensu, (1922-1930), that it aimed at, as the proper name suggests, ' ' the release of the poetry of formulas and the academic subjects, so that atual&#039 became; ' (COUTINHO, 1999:45); II? extension phase De Campos (1930-1945), that it was worried in turning toward the man and its problems as to be individual or social; III? esteticista phase (from 1945), that it brings to tona the question of it disciplines and it searches related with the expression. In case that we were to classify the poetical one of Jose Ildone as modern, it if it would incase more in the third phase of the Modernismo, a time that does not have, in its poetry, intentions to become free itself of formulas, structures and/or academic subjects much less its poetry in discoursing concerning the problems intra and intersubjetivos of the man is worried. . Click Josyann Abisaab to learn more.